“You never know quite what you’re in for with this ultra-talented dancer, who creates extraordinary movement/sound pieces in which the body becomes the most versatile of instruments, playing the music of an invisible dimension.”
– LA Weekly
Announcement:
Beacon Fire
Review:
MASS
“…choreographer Laurel Jenkins’ ecstatic, be-in-style movement and her dancer’s participatory gesticulations — is a mash-up of a mega-church sermon and a production of Hair.”
Tony FrankelInterview:
MASS
Gaen MurphreeReview:
Cycles Scores
Jeff SlaytonReview:
Soma Path
Victoria LooseleafReview:
B A S E
Jeff SlaytonReview:
Book of Change
Jeff SlaytonReview:
The L.A. Contemporary Dance Company SE4SONS
Jeff SlaytonInterview:
Trisha Brown in the New Body
Bryn Mawr CollegeReview:
MASS
“Another highlight is Laurel Jenkins’ choreography, which when she wasn’t having to re-create Studio 54, allowed for extraordinary abstract solos and groups whirling like dervishes. She and Pulitzer used bodies for their imagery, magnificently in the three orchestral ‘Meditations.'”
Mark SwedReview:
MASS
“…ebullient choreography by Laurel Jenkins”
Victoria LooseleafPreview:
MASS
Tim GreivingInterview:
How to Actually Make Your Movement Look Effortless
Zachary WhittenburgReview:
Soma Path
Jeff SlaytonReview:
Image Action Text & wind hill
Victoria LooseleafPreview:
wind hill
Penelope FordPreview:
Fowler Museum
Mary Beth CrainInterview:
Technique My Way: Laurel Tentindo
Lauren Kay