“You never know quite what you’re in for with this ultra-talented dancer, who creates extraordinary movement/sound pieces in which the body becomes the most versatile of instruments, playing the music of an invisible dimension.”

– LA Weekly

Announcement:

Beacon Fire

Vermont Arts Council

Review:

MASS

“…choreographer Laurel Jenkins’ ecstatic, be-in-style movement and her dancer’s participatory gesticulations — is a mash-up of a mega-church sermon and a production of Hair.”

Tony Frankel

Stage and Cinema

Interview:

MASS

Gaen Murphree

Middlebury College Newsroom

Review:

Cycles Scores

Jeff Slayton

LA Dance Chronicle

Review:

Soma Path

Victoria Looseleaf

Fjord Review

Review:

B A S E

Jeff Slayton

See Dance L.A.

Review:

Book of Change

Jeff Slayton

Bachtrack

Review:

The L.A. Contemporary Dance Company SE4SONS

Jeff Slayton

See Dance News

Interview:

Trisha Brown in the New Body

Bryn Mawr College

Bryn Mawr College

Review:

MASS

“Another highlight is Laurel Jenkins’ choreography, which when she wasn’t having to re-create Studio 54, allowed for extraordinary abstract solos and groups whirling like dervishes. She and Pulitzer used bodies for their imagery, magnificently in the three orchestral ‘Meditations.'”

Mark Swed

Los Angeles Times

Review:

MASS

“…ebullient choreography by Laurel Jenkins”

Victoria Looseleaf

Fjord Review

Preview:

MASS

Tim Greiving

Los Angeles Times

Interview:

How to Actually Make Your Movement Look Effortless

Zachary Whittenburg

Dance Magazine

Review:

Soma Path

Jeff Slayton

See Dance L.A.

Review:

Image Action Text & wind hill

Victoria Looseleaf

FJ Ford Review

Preview:

wind hill

Penelope Ford

FJ Ford Review

Preview:

Fowler Museum

Mary Beth Crain

LA Weekly

Interview:

Technique My Way: Laurel Tentindo

Lauren Kay

Dance Magazine